Chapter 3

"A gloomy wood," according to the one play-bill, was represented by a few shrubs in pots, green baize on the floor, and a cave in the distance. This cave was made with a clothes-horse for a roof, bureaus for walls; and in it was a small furnace in full blast, with a black pot on it, and an old witch bending over it. The stage was dark, and the glow of the furnace had a fine effect, especially as real steam issued from the kettle when the witch took off the cover. A moment was allowed for the first thrill to subside; then Hugo, the villain, stalked in with a clanking sword at his side, a slouched hat, black beard, mysterious cloak, and the boots. After pacing to and fro in much agitation, he struck his forehead, and burst out in a wild strain, singing of his hatred to Roderigo, his love for Zara, and his pleasing resolution to kill the one and win the other. The gruff tones of Hugo's voice, with an occasional shout when his feelings overcame him, were very impressive, and the audience applauded the moment he paused for breath. Bowing with the air of one accustomed to public praise, he stole to the cavern, and ordered Hagar to come forth with a commanding "What ho, minion! I need thee!"

[Illustration: Out came Meg with gray horse-hair hanging about her face]

Out came Meg, with gray horse-hair hanging about her face, a red and black robe, a staff, and cabalistic signs upon her cloak. Hugo demanded a potion to make Zara adore him, and one to destroy Roderigo. Hagar, in a fine dramatic melody, promised both, and proceeded to call up the spirit who would bring the love philter:--

"Hither, hither, from thy home, Airy sprite, I bid thee come! Born of roses, fed on dew, Charms and potions canst thou brew? Bring me here, with elfin speed, The fragrant philter which I need; Make it sweet and swift and strong, Spirit, answer now my song!"

[Illustration: A little figure in cloudy white]

A soft strain of music sounded, and then at the back of the cave appeared a little figure in cloudy white, with glittering wings, golden hair, and a garland of roses on its head. Waving a wand, it sang,--

"Hither I come, From my airy home, Afar in the silver moon. Take the magic spell, And use it well, Or its power will vanish soon!"

And, dropping a small, gilded bottle at the witch's feet, the spirit vanished. Another chant from Hagar produced another apparition,--not a lovely one; for, with a bang, an ugly black imp appeared, and, having croaked a reply, tossed a dark bottle at Hugo, and disappeared with a mocking laugh. Having warbled his thanks and put the potions in his boots, Hugo departed; and Hagar informed the audience that, as he had killed a few of her friends in times past, she has cursed him, and intends to thwart his plans, and be revenged on him. Then the curtain fell, and the audience reposed and ate candy while discussing the merits of the play.

A good deal of hammering went on before the curtain rose again; but when it became evident what a masterpiece of stage-carpentering had been got up, no one murmured at the delay. It was truly superb! A tower rose to the ceiling; half-way up appeared a window, with a lamp burning at it, and behind the white curtain appeared Zara in a lovely blue and silver dress, waiting for Roderigo. He came in gorgeous array, with plumed cap, red cloak, chestnut love-locks, a guitar, and the boots, of course. Kneeling at the foot of the tower, he sang a serenade in melting tones. Zara replied, and, after a musical dialogue, consented to fly. Then came the grand effect of the play. Roderigo produced a rope-ladder, with five steps to it, threw up one end, and invited Zara to descend. Timidly she crept from her lattice, put her hand on Roderigo's shoulder, and was about to leap gracefully down, when, "Alas! alas for Zara!" she forgot her train,--it caught in the window; the tower tottered, leaned forward, fell with a crash, and buried the unhappy lovers in the ruins!

A universal shriek arose as the russet boots waved wildly from the wreck, and a golden head emerged, exclaiming, "I told you so! I told you so!" With wonderful presence of mind, Don Pedro, the cruel sire, rushed in, dragged out his daughter, with a hasty aside,--

"Don't laugh! Act as if it was all right!"--and, ordering Roderigo up, banished him from the kingdom with wrath and scorn. Though decidedly shaken by the fall of the tower upon him, Roderigo defied the old gentleman, and refused to stir. This dauntless example fired Zara: she also defied her sire, and he ordered them both to the deepest dungeons of the castle. A stout little retainer came in with chains, and led them away, looking very much frightened, and evidently forgetting the speech he ought to have made.

Act third was the castle hall; and here Hagar appeared, having come to free the lovers and finish Hugo. She hears him coming, and hides; sees him put the potions into two cups of wine, and bid the timid little servant "Bear them to the captives in their cells, and tell them I shall come anon." The servant takes Hugo aside to tell him something, and Hagar changes the cups for two others which are harmless. Ferdinando, the "minion," carries them away, and Hagar puts back the cup which holds the poison meant for Roderigo. Hugo, getting thirsty after a long warble, drinks it, loses his wits, and, after a good deal of clutching and stamping, falls flat and dies; while Hagar informs him what she has done in a song of exquisite power and melody.

This was a truly thrilling scene, though some persons might have thought that the sudden tumbling down of a quantity of long hair rather marred the effect of the villain's death. He was called before the curtain, and with great propriety appeared, leading Hagar, whose singing was considered more wonderful than all the rest of the performance put together.

Act fourth displayed the despairing Roderigo on the point of stabbing himself, because he has been told that Zara has deserted him. Just as the dagger is at his heart, a lovely song is sung under his window, informing him that Zara is true, but in danger, and he can save her, if he will. A key is thrown in, which unlocks the door, and in a spasm of rapture he tears off his chains, and rushes away to find and rescue his lady-love.

Act fifth opened with a stormy scene between Zara and Don Pedro. He wishes her to go into a convent, but she won't hear of it; and, after a touching appeal, is about to faint, when Roderigo dashes in and demands her hand. Don Pedro refuses, because he is not rich. They shout and gesticulate tremendously, but cannot agree, and Roderigo is about to bear away the exhausted Zara, when the timid servant enters with a letter and a bag from Hagar, who has mysteriously disappeared. The latter informs the party that she bequeaths untold wealth to the young pair, and an awful doom to Don Pedro, if he doesn't make them happy. The bag is opened, and several quarts of tin money shower down upon the stage, till it is quite glorified with the glitter. This entirely softens the "stern sire": he consents without a murmur, all join in a joyful chorus, and the curtain falls upon the lovers kneeling to receive Don Pedro's blessing in attitudes of the most romantic grace.

[Illustration: The lovers kneeling to receive Don Pedro's blessing]

Tumultuous applause followed, but received an unexpected check; for the cot-bed, on which the "dress-circle" was built, suddenly shut up, and extinguished the enthusiastic audience. Roderigo and Don Pedro flew to the rescue, and all were taken out unhurt, though many were speechless with laughter. The excitement had hardly subsided, when Hannah appeared, with "Mrs. March's compliments, and would the ladies walk down to supper."

This was a surprise, even to the actors; and, when they saw the table, they looked at one another in rapturous amazement. It was like Marmee to get up a little treat for them; but anything so fine as this was unheard-of since the departed days of plenty. There was ice-cream,--actually two dishes of it, pink and white,--and cake and fruit and distracting French bonbons, and, in the middle of the table, four great bouquets of hot-house flowers!

It quite took their breath away; and they stared first at the table and then at their mother, who looked as if she enjoyed it immensely.

"Is it fairies?" asked Amy,

"It's Santa Claus," said Beth.

"Mother did it"; and Meg smiled her sweetest, in spite of her gray beard and white eyebrows.

"Aunt March had a good fit, and sent the supper," cried Jo, with a sudden inspiration.

"All wrong. Old Mr. Laurence sent it," replied Mrs. March.

"The Laurence boy's grandfather! What in the world put such a thing into his head? We don't know him!" exclaimed Meg.

"Hannah told one of his servants about your breakfast party. He is an odd old gentleman, but that pleased him. He knew my father, years ago; and he sent me a polite note this afternoon, saying he hoped I would allow him to express his friendly feeling toward my children by sending them a few trifles in honor of the day. I could not refuse; and so you have a little feast at night to make up for the bread-and-milk breakfast."

"That boy put it into his head, I know he did! He's a capital fellow, and I wish we could get acquainted. He looks as if he'd like to know us; but he's bashful, and Meg is so prim she won't let me speak to him when we pass," said Jo, as the plates went round, and the ice began to melt out of sight, with "Ohs!" and "Ahs!" of satisfaction.

"You mean the people who live in the big house next door, don't you?" asked one of the girls. "My mother knows old Mr. Laurence; but says he's very proud, and doesn't like to mix with his neighbors. He keeps his grandson shut up, when he isn't riding or walking with his tutor, and makes him study very hard. We invited him to our party, but he didn't come. Mother says he's very nice, though he never speaks to us girls."

"Our cat ran away once, and he brought her back, and we talked over the fence, and were getting on capitally,--all about cricket, and so on,--when he saw Meg coming, and walked off. I mean to know him some day; for he needs fun, I'm sure he does," said Jo decidedly.

[Illustration: We talked over the fence]

"I like his manners, and he looks like a little gentleman; so I've no objection to your knowing him, if a proper opportunity comes. He brought the flowers himself; and I should have asked him in, if I had been sure what was going on upstairs. He looked so wistful as he went away, hearing the frolic, and evidently having none of his own."

"It's a mercy you didn't, mother!" laughed Jo, looking at her boots. "But we'll have another play, some time, that he _can_ see. Perhaps he'll help act; wouldn't that be jolly?"

"I never had such a fine bouquet before! How pretty it is!" And Meg examined her flowers with great interest.

"They _are_ lovely! But Beth's roses are sweeter to me," said Mrs. March, smelling the half-dead posy in her belt.

Beth nestled up to her, and whispered softly, "I wish I could send my bunch to father. I'm afraid he isn't having such a merry Christmas as we are."

[Illustration: Tail-piece]

[Illustration: Eating apples and crying over the "Heir of Redclyffe"]

III.

THE LAURENCE BOY.

"Jo! Jo! where are you?" cried Meg, at the foot of the garret stairs.

"Here!" answered a husky voice from above; and, running up, Meg found her sister eating apples and crying over the "Heir of Redclyffe," wrapped up in a comforter on an old three-legged sofa by the sunny window. This was Jo's favorite refuge; and here she loved to retire with half a dozen russets and a nice book, to enjoy the quiet and the society of a pet rat who lived near by, and didn't mind her a particle. As Meg appeared, Scrabble whisked into his hole. Jo shook the tears off her cheeks, and waited to hear the news.

"Such fun! only see! a regular note of invitation from Mrs. Gardiner for to-morrow night!" cried Meg, waving the precious paper, and then proceeding to read it, with girlish delight.

"'Mrs. Gardiner would be happy to see Miss March and Miss Josephine at a little dance on New-Year's Eve.' Marmee is willing we should go; now what _shall_ we wear?"

"What's the use of asking that, when you know we shall wear our poplins, because we haven't got anything else?" answered Jo, with her mouth full.

"If I only had a silk!" sighed Meg. "Mother says I may when I'm eighteen, perhaps; but two years is an everlasting time to wait."

"I'm sure our pops look like silk, and they are nice enough for us. Yours is as good as new, but I forgot the burn and the tear in mine. Whatever shall I do? the burn shows badly, and I can't take any out."

"You must sit still all you can, and keep your back out of sight; the front is all right. I shall have a new ribbon for my hair, and Marmee will lend me her little pearl pin, and my new slippers are lovely, and my gloves will do, though they aren't as nice as I'd like."

"Mine are spoilt with lemonade, and I can't get any new ones, so I shall have to go without," said Jo, who never troubled herself much about dress.

"You _must_ have gloves, or I won't go," cried Meg decidedly. "Gloves are more important than anything else; you can't dance without them, and if you don't I should be _so_ mortified."

"Then I'll stay still. I don't care much for company dancing; it's no fun to go sailing round; I like to fly about and cut capers."

"You can't ask mother for new ones, they are so expensive, and you are so careless. She said, when you spoilt the others, that she shouldn't get you any more this winter. Can't you make them do?" asked Meg anxiously.

"I can hold them crumpled up in my hand, so no one will know how stained they are; that's all I can do. No! I'll tell you how we can manage--each wear one good one and carry a bad one; don't you see?"

"Your hands are bigger than mine, and you will stretch my glove dreadfully," began Meg, whose gloves were a tender point with her.

"Then I'll go without. I don't care what people say!" cried Jo, taking up her book.

"You may have it, you may! only don't stain it, and do behave nicely. Don't put your hands behind you, or stare, or say 'Christopher Columbus!' will you?"

"Don't worry about me; I'll be as prim as I can, and not get into any scrapes, if I can help it. Now go and answer your note, and let me finish this splendid story."

So Meg went away to "accept with thanks," look over her dress, and sing blithely as she did up her one real lace frill; while Jo finished her story, her four apples, and had a game of romps with Scrabble.

On New-Year's Eve the parlor was deserted, for the two younger girls played dressing-maids, and the two elder were absorbed in the all-important business of "getting ready for the party." Simple as the toilets were, there was a great deal of running up and down, laughing and talking, and at one time a strong smell of burnt hair pervaded the house. Meg wanted a few curls about her face, and Jo undertook to pinch the papered locks with a pair of hot tongs.

[Illustration: Jo undertook to pinch the papered locks]

"Ought they to smoke like that?" asked Beth, from her perch on the bed.

"It's the dampness drying," replied Jo.

"What a queer smell! it's like burnt feathers," observed Amy, smoothing her own pretty curls with a superior air.

"There, now I'll take off the papers and you'll see a cloud of little ringlets," said Jo, putting down the tongs.

She did take off the papers, but no cloud of ringlets appeared, for the hair came with the papers, and the horrified hair-dresser laid a row of little scorched bundles on the bureau before her victim.

"Oh, oh, oh! what _have_ you done? I'm spoilt! I can't go! My hair, oh, my hair!" wailed Meg, looking with despair at the uneven frizzle on her forehead.

"Just my luck! you shouldn't have asked me to do it; I always spoil everything. I'm so sorry, but the tongs were too hot, and so I've made a mess," groaned poor Jo, regarding the black pancakes with tears of regret.

"It isn't spoilt; just frizzle it, and tie your ribbon so the ends come on your forehead a bit, and it will look like the last fashion. I've seen many girls do it so," said Amy consolingly.

"Serves me right for trying to be fine. I wish I'd let my hair alone," cried Meg petulantly.

"So do I, it was so smooth and pretty. But it will soon grow out again," said Beth, coming to kiss and comfort the shorn sheep.

After various lesser mishaps, Meg was finished at last, and by the united exertions of the family Jo's hair was got up and her dress on. They looked very well in their simple suits,--Meg in silvery drab, with a blue velvet snood, lace frills, and the pearl pin; Jo in maroon, with a stiff, gentlemanly linen collar, and a white chrysanthemum or two for her only ornament. Each put on one nice light glove, and carried one soiled one, and all pronounced the effect "quite easy and fine." Meg's high-heeled slippers were very tight, and hurt her, though she would not own it, and Jo's nineteen hair-pins all seemed stuck straight into her head, which was not exactly comfortable; but, dear me, let us be elegant or die!

"Have a good time, dearies!" said Mrs. March, as the sisters went daintily down the walk. "Don't eat much supper, and come away at eleven, when I send Hannah for you." As the gate clashed behind them, a voice cried from a window,--

"Girls, girls! _have_ you both got nice pocket-handkerchiefs?"

"Yes, yes, spandy nice, and Meg has cologne on hers," cried Jo, adding, with a laugh, as they went on, "I do believe Marmee would ask that if we were all running away from an earthquake."

"It is one of her aristocratic tastes, and quite proper, for a real lady is always known by neat boots, gloves, and handkerchief," replied Meg, who had a good many little "aristocratic tastes" of her own.

"Now don't forget to keep the bad breadth out of sight, Jo. Is my sash right? and does my hair look _very_ bad?" said Meg, as she turned from the glass in Mrs. Gardiner's dressing-room, after a prolonged prink.

"I know I shall forget. If you see me doing anything wrong, just remind me by a wink, will you?" returned Jo, giving her collar a twitch and her head a hasty brush.

"No, winking isn't lady-like; I'll lift my eyebrows if anything is wrong, and nod if you are all right. Now hold your shoulders straight, and take short steps, and don't shake hands if you are introduced to any one: it isn't the thing."

"How _do_ you learn all the proper ways? I never can. Isn't that music gay?"

[Illustration: Mrs. Gardiner greeted them]

Down they went, feeling a trifle timid, for they seldom went to parties, and, informal as this little gathering was, it was an event to them. Mrs. Gardiner, a stately old lady, greeted them kindly, and handed them over to the eldest of her six daughters. Meg knew Sallie, and was at her ease very soon; but Jo, who didn't care much for girls or girlish gossip, stood about, with her back carefully against the wall, and felt as much out of place as a colt in a flower-garden. Half a dozen jovial lads were talking about skates in another part of the room, and she longed to go and join them, for skating was one of the joys of her life. She telegraphed her wish to Meg, but the eyebrows went up so alarmingly that she dared not stir. No one came to talk to her, and one by one the group near her dwindled away, till she was left alone. She could not roam about and amuse herself, for the burnt breadth would show, so she stared at people rather forlornly till the dancing began. Meg was asked at once, and the tight slippers tripped about so briskly that none would have guessed the pain their wearer suffered smilingly. Jo saw a big red-headed youth approaching her corner, and fearing he meant to engage her, she slipped into a curtained recess, intending to peep and enjoy herself in peace. Unfortunately, another bashful person had chosen the same refuge; for, as the curtain fell behind her, she found herself face to face with the "Laurence boy."

[Illustration: Face to face with the Laurence boy]

"Dear me, I didn't know any one was here!" stammered Jo, preparing to back out as speedily as she had bounced in.

But the boy laughed, and said pleasantly, though he looked a little startled,--

"Don't mind me; stay, if you like."

"Sha'n't I disturb you?"

"Not a bit; I only came here because I don't know many people, and felt rather strange at first, you know."

"So did I. Don't go away, please, unless you'd rather."

The boy sat down again and looked at his pumps, till Jo said, trying to be polite and easy,--

"I think I've had the pleasure of seeing you before; you live near us, don't you?"

"Next door"; and he looked up and laughed outright, for Jo's prim manner was rather funny when he remembered how they had chatted about cricket when he brought the cat home.

That put Jo at her ease; and she laughed too, as she said, in her heartiest way,--

"We did have such a good time over your nice Christmas present."

"Grandpa sent it."

"But you put it into his head, didn't you, now?"

"How is your cat, Miss March?" asked the boy, trying to look sober, while his black eyes shone with fun.

"Nicely, thank you, Mr. Laurence; but I am not Miss March, I'm only Jo," returned the young lady.

"I'm not Mr. Laurence, I'm only Laurie."

"Laurie Laurence,--what an odd name!"

"My first name is Theodore, but I don't like it, for the fellows called me Dora, so I made them say Laurie instead."

"I hate my name, too--so sentimental! I wish every one would say Jo, instead of Josephine. How did you make the boys stop calling you Dora?"

"I thrashed 'em."

"I can't thrash Aunt March, so I suppose I shall have to bear it"; and Jo resigned herself with a sigh.

"Don't you like to dance, Miss Jo?" asked Laurie, looking as if he thought the name suited her.